I’m a Virginia-based science fiction and fantasy writer who’s lived variously-enriching lives as a coroner’s assistant, customer service manager, university lecturer, secretary, factory technician, and clerk. I’ve bounced all around the Midwest, from Minnesota to Ohio to Colorado to Missouri and now out on the East Coast.
One of the most compelling parts about time-hopping science fiction is vicariously experienced through the culture clash of past and present. It’s even better if it’s happening in the head of a single character. Mendoza was rescued from the dungeons of the Spanish Inquisition in the 16th century and thrust into the world of the Company, a civilization-spanning corporate agency operating behind the scenes of history for the profit of far-future shareholders. Time travel in this universe only goes one way, backward, and Mendoza will take the long way to the future: an engaging, sprawling, harrowing journey through centuries.
This is the first novel in what has become one of the most popular series in contemporary Science Fiction, now back in print from Tor. In the twenty-fourth century, the Company preserves works of art and extinct forms of life (for profit of course). It recruits orphans from the past, renders them all but immortal, and trains them to serve the Company. One of these is Mendoza the botanist, who is sent to Elizabethan England to collect samples from the garden of Sir Walter Iden. Her quest is jeopardized by Nicholas Harpole, who stirs unfamiliar emotions within her about her…
It’s too easy, in time travel fantasies, to imagine that you would feel a step above the people around you... that you alone know what’s coming, and just, in general, have your advanced-future-person perspective on the world. That’s not how history should feel. The All Clear series’s time-traveling historians arrive to observe the London Blitz and have that comforting certainty ripped out from underneath them. They’re left lost, alone, and isolated in a well-painted portrait of a world on the edge of collapse.
Award-winning author Connie Willis returns with a stunning, enormously entertaining novel of time travel, war, and the deeds - great and small - of ordinary people who shape history.
Sometimes history is just as dizzying and alienating as physics, astronomy, and contemplating the end of the universe. Unraveling the chains of could-have-beens and strange possibilities is tempting, but too big for the human imagination. In Darwinia, the Earth of 1912 becomes even more. Europe and large parts of other continents have vanished, replaced by pieces of another, much more hostile planet - and the alternate history only gets stranger from there. It perfectly captures that dazed, giddy feeling of trying to understand just how big our universe really is.
In an alternative history of the twentieth century, Europe is replaced by a land of nightmarish jungle and monsters that contains the secret of human destiny.
Not all books about the past have to be set in the past. In the far-flung future, deep in interstellar space and surrounded by impossible living technologies, an amnesiac takes part in a sociological experiment to reconstruct twentieth-century middle-class living. Glasshouse is, among other things, a playful, bitter, and funny takedown of both the era and the impossibility of actually reconstructing history. The paranoia engendered by twentieth-century living is only far too justified by the interstellar conspiracy that’s ensnared the study’s participants.
“ONE NIGHTMARISH PANOPTICON.” – The New York Times
When Robin wakes up in a clinic with most of his memories missing, it doesn’t take him long to discover that someone is trying to kill him. It’s the twenty-seventh century, when interstellar travel is by teleport gate and conflicts are fought by network worms that censor refugees’ personalities—including Robin’s earlier self.
On the run from a ruthless pursuer and searching for a place to hide, he volunteers to participate in a unique experimental polity: the Glasshouse, a simulated pre-accelerated culture where participants are assigned anonymized identities. But what looks like the…
Ammonite starts in space and lands on an alien world but brings plenty of Earth’s history along with it. Human settlers that lost an age ago, transformed by a virus that only women survive but allows them to reproduce, have spread across this world. Anthropologist Marghe Taishan faces down nomadic horse archers and gets lost in pastoral folkways both new and familiar. She deconstructs her future and rebuilds herself out of the past. Ammonite’s new world shows us how our world might have looked if different paths were taken.
Winner of the Lambda and Tiptree Awards • “A knockout . . . Strong, likable characters, a compelling story, and a very interesting take on gender.”—Ursula K. Le Guin
Change or die. These are the only options available on planet Jeep. Centuries earlier, a deadly virus shattered the original colony, killing the men and forever altering the few surviving women. Now, generations after the colony lost touch with the rest of humanity, a company arrives to exploit Jeep—and its forces find themselves fighting for their lives. Terrified of spreading the virus, the company abandons its employees, leaving them afraid and…
Quietus, a science fiction novel set in the midst of the Black Death. It features a transdimensional anthropologist who can’t keep herself from interfering with one of the darkest periods of Earth’s history, a young Carthusian monk who’s the only survivor of his monastery, and a worlds-spanning conspiracy to topple an empire larger than the human imagination can contain.
Quietus and its sequel, Terminus, were published in March and November of 2018 (the timing for books about a plague could have been better, could have been worse…). I also write prose novels for Marvel with Aconyte Books.
I once saw a play at the renowned Oregon Shakespeare Theatre. A play about Sor Juana. It was a good play, but it felt like something was missing like jalapenos left out of enchiladas. The play kept nudging me to look further to find Sor Juana, and so for the next five years, I did so. I read and read more. I listened for her voice, and that is where I heard her life come alive. This isn’t the only possibility for Sor Juana’s life; it is just the one I heard.
Sor Juana Ines de la Cruz, this brilliant 17th century nun flew through Mexico City on the breeze of poetry and philosophy. She met with princes of the Church, and with the royalty of Spain and Mexico. Then she met a stunning, powerful woman with lavender eyes, la Vicereine Maria Louisa, and her life changed forever. As her fame grew, she dared to challenge the diabolical Archbishop once too often, and he threw her in front of the Inquisition, where she stood, alone.
Sor Juana's work is studied still today, and justifiably so. Scholars study her months on end; mystics…
This astonishingly brilliant 17th century poet and dramatist, this nun, flew through Mexico City on wings of inspiration. Having no dowry, she chose the life of a nun so that she might learn, so that she might write, so that she might meet the most fascinating people of the western world. She accomplished all of that, and more.
One day a woman with violet eyes, eyes the color of passion flowers, entered her life. It was the new Vicereine, Maria Luisa. As the two most powerful women in Mexico City, the bond between them crossed politics and wound them in…
